是好書 書末的reading list和seeing list 都很能表現是本美國人寫的書 (墨西哥案例多)
在Google Books 幾乎可讀到全書./
中國的版本: 像建築師那樣思考 濟南:山東畫報. 2009
原書seeing list 的引言將Henry Adams 誤記為Henry James
Henry Adams summarized his notions of travel in a 1902 letter to one of his nieces: "My idea of paradise is a perfect automobile going thirty miles an hour on a smooth road to a twelfth-century cathedral."
http://www.univie.ac.at/Anglistik/easyrider/data/HAdams.htm
中國的版本:
《像建築師那樣思考》濟南:山東畫報. 2009
它的翻譯問題可能也不少. 譬如說
"My idea of paradise is a perfect automobile going thirty miles an hour on a smooth road to a twelfth-century cathedral."
漏譯了PERFECT 一字 (頁243) 這是嚴重的錯誤
Contents
ADDING MEANING
| 123 |
| 133 | |
STYLE TASTE AND DESIGN THEORY
| 151 |
| 161 | |
| 177 | |
| 187 | |
| 193 | |
| 199 | |
Richard Meier & Partners
Architect: Charles Willard Moore
Moore opened a practice in New Haven, Connecticut and in the following years practiced under a confusing variety of professional configurations, partners, and names, including Moore, Lyndon, Turnbull, Whitaker, MLTW, Centerbrook Architects, Moore Ruble Yudell, Urban Innovations Group, Charles W. Moore Incorporated,and Moore/Andersson. The constant changes resulted, in part, from Moore's extensive worldwide travel and his moves to California and then to Austin, Texas. 日本的GA 建築出版社1980 有日英對照MLTW的專集Special Issue Charles Moore and Company-- 台灣的六合出版社有 查理士‧摩爾 (1988 第2 版 王承熹譯)
Moore preferred conspicuous design features, including loud color
combinations, supergraphics, stylistic collisions, the re-use of
esoteric historical-design solutions, and the use of non-traditional
materials such as plastic, (aluminized) PET film, platinum tiles, and neon signs, As a result, his work provokes arousal, demands attention, and sometimes tips over into kitsch. His mid-1960s New Haven residence, published in Playboy,
featured an open, freestanding shower in the middle of the room, its
water nozzled through a giant sunflower. Such design features
(historical detail, ornament, fictional treatments, ironic
significations) made Moore one of the chief innovators of postmodern architecture, along with Robert Venturi and Michael Graves, among others. Moore'sPiazza d'Italia (1978), an urban public plaza in New Orleans, made prolific use of his exuberant design vocabulary and is frequently cited as the archetypal postmodern project.
In addition to his influential work as an architect and university
educator, Moore was a prolific author, publishing a dozen books. Many
other books, monographs, and articles document his designs.
- The Place of Houses (with Gerald Allen and Donlyn Lyndon)
- Dimensions (with Gerald Allen)
- Body, Memory and Architecture (with Kent Bloomer 1977 ) 身體‧記憶與建築 杭州:中國美術2008"
- Body, Memory, and Architecture," written with Kent Bloomer during the Yale years, is a plea for architects to design structures for three-dimensional user experience instead of two-dimensional visual appearance. "The City Observed: Los Angeles" remains an excellent guide to Los Angeles' significant architecture.
- The Poetics of Gardens
- The City Observed: Los Angeles (with Peter Becker and Regula Campbell)
- Water and Architecture
- Chambers for a Memory Palace (with Donlyn Lyndon)
| Title | Architect: the life and work of Charles W. Moore A William Abrahams book |
| Author | David Littlejohn |
| Publisher | Holt, Rinehart and Winston, 1984 |
| Original from | the University of Michigan |
| Charles Willard Moore | |
|---|---|
 Piazza d'Italia, New Orleans | |
| Born | October 31, 1925 Benton Harbor, Michigan |
| Died | December 16, 1993 (aged 68) Austin, Texas |
| Nationality | American |
| Alma mater | University of Michigan B.Arch,Hon.D.Arch Princeton University M.Arch, Ph.D |
| Awards | AIA Gold Medal (1991) |
| Practice | Moore Ruble Yudell |
| Buildings | Piazza D'Italia Haas School of Business |
| Projects | Sea Ranch, California Yale Building Project |
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