2009年9月22日 星期二
國立臺灣大學「2009統計教學研討會」
在二十一世紀,隨著電腦運算速度的發達與統計分析套裝軟體操作介面的成熟,統計學已成為各領域如生物、生命科學、農業、醫學、公共衛生、經濟、政治、管理、會計、財金、國企、社會、工程、電子、資訊及品管各方面收集及分析資料與制定決策時必備的工具。換言之統計學就如同微積分一樣,其相關課程已成為本校各學系與研究所必修的基礎課程。臺灣大學具有超過八十年悠久的歷史,為臺灣及亞太地區首屈一指的綜合性之研究與教學大學,但本校迄今仍無獨立之統計系所,也因此臺灣大學的統計教學資源七零八散。在蔣丙煌教務長與諸位老師對於統計教育的熱忱及努力之下於民國九十六年成立跨學院全校功能性的「統計教學中心」 (Statistical Education Center SEC),負責統籌統計教學課程的整合,訂定統計教學評量制度與建立資源之分配方式。實施大班教學,小班實習,課程名稱與學分數不變等原則;同時規劃25人至30人小班的電腦實習課,依照各系所應用領域,編撰初等統計課程軟體教學教材,包括SAS、SPSS、EXCEL、R四種常用統計分析軟體。經過整整兩學年期間的耕耘,教學成效已經彰顯統計教學品質亦大幅提升。為了引起本校乃至其他大學對統計教學的重視與改進大學統計教育的方法。所以「統計教學中心」及「統計與生物資訊諮詢中心」共同舉辦「2009統計教學研討會」,邀請國內外著名統計學者們分享豐富的統計教學經驗。從生農、管理、公衛各種不同領域的角度觀看統計教學發展的概況,進一步交流彼此之間卓越的統計教學理念,提昇臺灣大學的統計教學品質。同時也邀請國內各大學的統計諮詢中心主任,除了介紹其統計諮詢中心的運作情形外,並講解如何藉由統計諮詢的過程與統計教學銜接,讓學生能夠將學到的統計理論與實務情況結合,達到真正的學以致用。這些經驗談將是台灣大學未來在統計教學發展上值得借鏡的重要指標。
時間:民國98年10月3日(星期六) 9:00 ~ 17:00
地點:集思國際會議中心 蘇格拉底廳
國立台灣大學第二活動中心B1 台北市羅斯福路四段85號
費用:免費(會場並敬備中餐及茶點)
參加對象:校內外師生及相關研究人員
名額:120名
報名時間:9/3/2009 10:00 AM起至 9/31/2009
報名方式:請上台大活動報名系統登記
2009年9月18日 星期五
Cambridge University Press創社425週年紀念研討會-數位時代的圖書出版服務
2009年9月3日 星期四
溪山清遠:解析中國山水畫史 七世紀日本之四大寺院
演講公告:Prof. James Cahill, Prof. Donald F. McCallum 演講公告
徵人:徵兼任助理
亞洲藝術學程:98學年度臺大亞洲藝術學程開始招生~
第一場
主講人:Prof. James Cahill (加州大學柏克萊分校榮譽教授)
講 題:A Pure and Remote View: Digitizing a History of Chinese Landscape
溪山清遠:解析中國山水畫史
地 點:臺大文學院 一樓 演講廳
時 間:2009年9月4日(週五)下午1:00-3:00
第二場
主講人:Prof. Donald F. McCallum (加州大學洛杉磯分校藝術史系教授)
講 題:The Four Great Temples of Seventh-Century Japan
七世紀日本之四大寺院
地 點:臺大文學院 一樓 演講廳
時 間:2009年9月4日(週五)下午3:00-5:00
The Four Great Temples : Buddhist Art, Archaeology, and Icons of Seventh-Century Japan by Donald F. McCallum
2009.9.4&9.7---Prof. Donald F. McCallum(加州大學洛杉磯分校 (UCLA)藝術史系教授) 演講公告
第一場:
時間:9月4日 (星期五) 下午15:00-17:00
地點:臺大文學院2樓會議室
講題:The Four Great Temples of Seventh-Century Japan
七世紀日本之四大寺院
(詳情請洽台灣大學藝術史研究所:+886 (02) 3366-4220, artcy@ntu.edu.tw)
時間:9月7日(星期一)上午10:00-11:50
地點:中央大學國鼎館2樓201會議室
講題:Self and Family Identity in Taisho Painting: Yorozu Tetsugoro, Koide Narashige, and Kishida Ryusei
大正繪畫中的自我與家人:萬鐵五郎、小出楢重、岸田劉生
(詳情請洽中央大學藝術學研究所,+886(03)4227151*33650,ncu3650@ncu.edu.tw)
圖片來源:http://www.humnet.ucla.edu/humnet/arthist/cv/mccallum.htm
PUBLICATIONS
Books
Zenkoji and Its Icon: A Study in Medieval Japanese Religious Art, Princeton University Press, 1994
This is a fascinating book about a neglected theme of Buddhist history in Japan, indeed in East Asia at large. . . . Scholars of religion and in any field of Asian studies will enjoy reading a novel study which is underpinned by thorough investigations in Japan, the most erudite scholarship, and excellent illustrations and maps.
Product Description
One of the most significant traditions of image-making in medieval Japanese Buddhist art is based on a large group of gilt-bronze icons representing the Buddha Amida and his two attendant Bodhisattvas. The prototype, a secret image enshrined at Zenkoji in Nagano Prefecture, served as the basis both for numerous replications found in temples throughout Japan and for a highly developed cult that promised believers various rewards, including release from the terrors of hell and ultimate salvation in the western paradise of Amida. Donald McCallum takes a broad, multidisciplinary approach to relating this icon tradition to broader currents in Japanese political, social and religious history. Rather than reifying the icons as objects of art designed for aesthetic contemplation, the book focuses on the real issues that motivated their production. McCallum devotes particular attention to examining how worshipers conceived of the Zenkoji icon, which was believed by many to be actually alive.
Product Details
- Hardcover: 352 pages
- Publisher: Princeton University Press (July 5, 1994)
- Language: English
- ISBN-10: 0691032033
Chapters
"The John McLaughlin Papers in the Archives of American Art," California: 5 Footnotes to Modern Art History, Los Angeles County Museum of Art, 1977, pp. 82-93.
"Historical and Cultural Dimensions of the Tattoo in Japan," in Arnold Rubin, ed., Marks of Civilization: Artistic Transformations of the Human Body, Los Angeles, 1988, pp. 109-134.
"Jo no Mai," ("Woman Performing Noh Dance"), in Kawakita Michiaki and Uemura Shoko, eds., Uemura Shoen, Kyoto, 1989, pp. 32-36.
"Enku: Sono Shugendo to Sozoryoku," ("Enku: Pilgrimage Activity and Creative Power"), in Nihon Bijutsu Zenshu Vol. 16, Katsura-Miya to Toshogu, Tokyo, 1991, pp. 194-199.
Articles
"Heian Sculpture at the Tokyo National Museum, Part I, Artibus Asiae 35.2/3 (1973), pp. 278-292.
"The Sculpture of Enku: Part One, The Early Period," Oriental Art N.S. 20.2 (1974), pp. 174-191.
"Heian Sculpture at the Tokyo National Museum, Part II, Artibus Asiae 36.1/2 (1974), pp. 147-160.
"The Ninna-ji-Amida Triad and the Orthodox Style," Artibus Asiae 36.3 (1974), pp. 219-241.
The Sculpture of Enku: Part Two, The Mature Period," Oriental Art N.S. 20.4 (1974) pp. 400-415.
"The Painting of John McLaughlin," Journal of the Los Angeles Institute of Contemporary Art, (May- June 1976), pp. 7-17.
"Edo Paintings from the Brotherton Collection at the Los Angeles County Museum of Art," Oriental Art N.S. 22.1 (1976), pp. 97-100.
"Shang and Chou Bronzes at the Los Angeles County Museum of Art," Oriental Art N.S. 22.3 (1976), pp. 316-317.
"Ch'ing Art at the Los Angeles County Museum of Art," Oriental Art N.S. 23.4 (1977), pp. 483-6.
"Chinese Archaeological Treasures in Tokyo," Oriental Art, N.S. 24.2 (1978), pp. 230-232.
"Heian Sculpture at the Shinano Art Gallery," Oriental Art 24.3 (1978), pp. 445-453.
"Gaijin ga Mita Nihon no Yogakatachi," ("A Foreign Look at Japanese Oil Painters"), Ningen to Bunka 18 (1979), pp. 103-136.
"The Influence of the Sui Styles on the Buddhist Sculpture of Korea and Japan," Proceedings of the International Symposium on Buddhist Art, Nara National Museum, Nara, 1979, pp. 1-10.
"Ecclesiastical Architecture in the Painting of Matsumoto Shunsuke," Humanities 14 (1980), pp. 119-142.
Buddhist Sculpture of the Seisui-ji, Matsushiro," Oriental Art 25.4 (1979-80), pp. 462-470.
"Korean Influence of Early Japanese Buddhist Sculpture," Korean Culture 3.1 (1982), pp. 22-29.
"Translation or Adaptation," review article of Jiro Sugiyama, Classic Buddhist Sculpture: The Tempyo Period, (trans. Samuel Morse), Monumenta Nipponica 39.2 (1984), pp. 183-190.
The Zenko-ji Amida Triad in Japanese Buddhist Sculpture," Proceedings of the Nitobe-Ohira Memorial Conference on Japanese Studies, University of British Columbia, 1984, pp. 128-181.
"Zenkoji Kenkyu ni tsuite no Kokusai-teki Tenbo," ("An International Perspective on Research Concerning Zenkoji"), Nagano 121 (1985), pp. 51-53.
"Yamagata Kennai no Zenkoji-shiki Sanzon-zo no Ichi-keito," ("One Lineage of Zenkoki-type Triads in Yamagata Perfecture"), Uyo Bunka 122 (1986), pp. 3-21.
"The Deity Depicted," review article of Christine Guth Kanda, Shinzo: Hachiman Imagery and Its Development, in Monumenta Nipponica 41.4 (1986), pp. 477-488.
"Zenkoji-shiki Amida Sanzon-zo no Ichi Keito: Koyasan Fudoin Sanzon-zo/Yamagata-Tochigi Ken no Shozo," ("One Lineage of Zenkoki Style Amida Triads: The Amida Triad at Fudoin, Mt. Koya, and Various Images in Yamagata and Tochigi Perfectures"), Nagano 136 (1987), pp. 1-17.
"Tokyo Kokuritsu Hakubutsukan Hokan Zenkoji- shiki Amida Sanzon-zo ni tsuite," (A Zenkoji Amida Triad in the Tokyo National Museum), Museum 441 (Dec. 1987), pp. 21-28.
"Japanese Buddhist Sculpture and Painting at the Los Angeles County Museum of Art," Arts of Asia, March- April, 1989, pp. 98-107.
"A Standing Gilt-Bronze Buddha of the 'Boyish' Category in the Tokyo National Museum," Orientations 21.1 (1990), pp. 64-70.
"Nihon bukkyo chokoku no sen yon hyaku nen: kaigai kara no shiten," (One Thousand Four Hundred Years Japanese Buddhist Sculpture: The View from Abroad) in Harada Heisaku Sasaki Shohei, Ota Takahiko, eds., Nihon no bijutsu 5- Geijutsugaku no fuoramu, Tokyo, 1994, pp. 358-371.
"The Buddhist Triad in Three Kingdoms Sculpture," Korean Culture 16.4 (Winter, 1995):18-35.
Catalog Essay
"Three Taisho Artists: Yorozu Tetsugoro, Koide Narashige, and Kishida Ryusei," in Thomas Rimer and Shuji Takashina, eds. Paris in Japan: The Japanese Encounter with European Painting, St. Louis, 1987, pp. 80-95.
Reviews
Review of J. Edward Kidder, Prehistoric Japanese Art: Jomon Pottery in Artibus Asiae 35.2/3 (1973), pp. 298-301.
Review of Seiichi Mizuno, Asuka Buddhist Art: Horyu-ji in The Asian Student (Dec. 11, 1974), p. 11.
Review of Tsugio Mikami, The Art of Japanese Ceramics, Journal of the American Oriental Society (=JAOS) 95.4 (1975), pp. 554-555.
Review of Masahiko Sato, Kyoto Ceramics, JAOS 95.3 (1975), PP. 516-517.
Review of J. Edward Kidder, Early Buddhist Japan, JAOS 95.3 (1975), pp. 515-516.
Review of Grisha F. Dotzenko, Enku, Master Carver, New York, 1976, The Asian Student, April 23, 1977.
Review of Seattle Art Museum, Ceramic Art of Japan: One Hundred Masterpieces from Japanese Collections, JAOS 97.1 (1977), pp. 93-94.
Review of Robert Treat Paine and Alexander Soper, with D.B. Waterhouse and Bunji Kobayashi, The Art and Architecture of Japan, first paperback edition (fully revised), 1975; JAOS 98.3 (1978), pp. 304.5.
Review of William Watson, Style in the Arts of China, JAOS 98.2 (1978), pp. 179-180.
Review of Yoshiaki Shimizu and Carolyn Wheelwright, editors, Japanese Ink Paintings from American Collections: The Muromachi Period, An Exhibition in Honor of Shujiro Shimada, Princeton 1976, JAOS 99.2 (1979), pp. 334-336.
Review of Noel Barnard, ed., in collaboration with Douglas Fraser, Early Chinese Art and its Possible Influence in the Pacific Basin, New York, 1972, JAOS 99.3 (1979), pp. 491-491.
Review of Beatrix von Rague, A History of Japanese Lacquerwork, Toronto, 1976, JAOS 100.3 (1980), pp. 384-385.
Review of William Trousdale, The Long Sword and Scabbard Slide in Asia, JAOS 102.1 (1982), pp. 145-146.
Review of Kazuaki Tanahashi, Enku: Sculptor of a Hundred Thousand Buddhas, Monumenta Nipponica 38.3 (1983), pp. 354-355.
Review of William Jay Rathbun, Beyond the Tanabata Bridge: Traditional Japanese Textiles, Journal of Asian Studies 53.4 (1994): 1275-1276
Review of Allan G. Grapard, The Protocol of of the Gods: A Study of the Kasuga Cult in Japanese History, Journal of Japanese Studies, (Winter, 1995)
Review of Dallas Finn, Meiji Revisited: The Sites of Victorian Japan, Journal of Japanese Studies, (Winter, 1996).
Pamphlets
"Matsumoto Shunsuke to Taiheiyo Senso," ("Matsumoto Shunsuke and the Pacific War"), Tokyo, Meiji University, 1979.
Notes
Introduction to an exhibition catalogue, Shin Hakken no Enku (Newly discovered sculpture by Enku), "Enku-ten ni yosete" ("Concerning the Enku Exhibition"), published by the Kyoto Shimbun (Kyoto Newspaper), Kyoto, 1970.