【漢清講堂】2017年2月下旬某日 心得分享與討論會
日期：2017年2月18日(周末)，10：00~ 13：00
地址：台北市新生南路三段88號2樓
電話：（02） 2365012主辦：漢清講堂
主題與方式：依照講師自選的主題，發表20~30分鐘之專論，11點有座談會
講師與主題 (依報名先後序)
1. 鍾漢清 紀念John Berger (1926-2017)
2.0 梁永安主持
2月份漢清講堂討論【情感教育】
說明：約半年前，曹永洋老師拿本李健吾翻譯的【情感教育】(1984，上海譯文，【李健吾之譯者序與譯註甚佳】)，說要交換看永安的譯本---我忘掉有無交換。
曹老師聽說郭松棻會背李健吾翻譯的【包法利夫人】，特別注意。
所以2月份漢清講堂要請梁永安來主持討論【情感教育】，請定日期，請多參與！
2.2 鍾漢清
我將2張最重要的圖給您們參考：出自
【情感教育】的一種閱讀
Pierre Bourdieu 皮埃爾 布爾迪克
藝術的法則 文學場的生成與結構 pp.1-48
序言：作為福婁拜的分析家的福樓拜
http://hcbooks.blogspot.tw/....../pierre-bourdieu......
2.3 張華
2.4 繆詠華：......《情感教育》正是我現時的枕邊讀物，
多謝校長安排，多謝梁教授無私分享。我一定要參加！
john berger
John Berger (1926-2017)John Berger
(Photograph by Jean Mohr)
1973, Fellow of The Transnational Institute (TNI)
Another Way of Telling
John Berger, Jean Mohr
Another Way of Telling
A Possible Theory of Photography
By: John Berger, Jean Mohr
1982
- See more at: http://www.bloomsbury.com/uk/another-way-of-telling-9781408864463/#sthash.rc8ef8TB.dpuf
“A wonderful artist and thinker” – Susan Sontag
This unique combination of words and pictures includes 230 photographs by Jean Mohr.
It moves beyond the landmarks established by Walter Benjamin, Roland Barthes and Susan Sontag
In one of the most eloquent accounts of photography ever devised (originally published in 1982 and unavailable for many years), the writer John Berger and the photographer Jean Mohr set out to understand the fundamental nature of photography and how it makes its impact.
Asking a range of questions – What is a photograph? What do photographs mean? How can they be used? – they give their answers in terms of a photograph as 'a meeting place where the interests of the photographer, the photographed, the viewer and those who are using the photography are often contradictory'. From these beginnings they develop a theory of photography that has at its centre the form's essential ambiguity, arguing that photography is totally unlike a film and has nothing to do with reportage. Rather, it constitutes 'another way of telling'.
- See more at: http://www.bloomsbury.com/uk/another-way-of-telling-9781408864463/#sthash.rc8ef8TB.dpuf
山區農民之生活與工作；照相之經驗與理論
5部曲
“There are no photographs which can be denied. All photographs have the status of fact. What is to be examined is in what way photography can and cannot give meaning to facts.” With these words, two of our most thoughtful and eloquent interrogators of the visual offer a singular meditation on the ambiguities of what is seemingly our straightforward art form. As constructed by John Berger and the renowned Swiss photographer Jean Mohr, that theory includes images as well as words; not only analysis, but anecdote and memoir. Another Way of Telling explores the tension between the photographer and the photographed, between the picture and its viewers, between the filmed moment and the memories that it so resembles. Combining the moral vision of the critic and the practical engagement of the photographer, Berger and Moher have produced a work that expands the frontiers of criticism first charged by Walter Benjamin, Roland Barthes, and Susan Sontag.
Review
"Extraordinary... remarkable... suggestive/and/original." -- Edward Said, The Nation.
"One of the world's most influential art, critics ... Berger sees clearly with fresh surprise yet profound understanding." -- The Washington Times
From the Back Cover
'There are no photographs which can be denied. All photographs have the status of fact. what is to be examined is in what way photography can and cannot give meaning to facts.'
"一個人的人生從他死去的那一刻變成故事。"
A. S. Byatt 在《論歷史與故事》說， Walter Benjamin的 《The Storyteller》中說，"一個人的人生從他死去的那一刻變成故事。" 說故事的人，都是逝者的秘書。接過亡魂的字條，以故事向世人轉達。
John Berger, art critic and author, dies aged 90
The real meaning of art is dangerously emancipating.
A Smuggling Operation: John Berger’s Theory of Art
By Robert Minto
郭力昕：約翰．伯格，說故事的人
鼓舞身處困頓中的人們，「在這個沒有盡頭的無光所在，求存與抵抗，分享着同一支燭光。」
英國Complicité劇團創辦人Simon McBurney 談 John Berger
傾聽者，影像鑽研者，詩人，畫家，觀看者*。我的導師。哲學家。朋友。約翰．伯格今晨離開了我們。而今，你已無所不在。
Listener, grinder of lenses, poet, painter, seer. My Guide. Philosopher. Friend. John Berger left us this morning. Now you are everywhere.
*seer: a person of supposed supernatural insight who sees visions of the future.
Cher, a department in the Centre-Val de Loire region of France.
Quincy is an Appellation d'origine contrôlée (AOC)
Why we still need John Berger’s Ways of Seeing
Detail from The Judgement of Paris, Lucas Cranach the Elder, 1530. Victoria's Secret branding image, 2012
he helped to kickstart a quiet revolution in the way we view the world around us. He encouraged us to question the images which have been the foundation of our culture. That is a truly worthy legacy – and one we must continue.
The Seasons in Quincy: Four Portraits of John Berger, 2016
https://vimeo.com/148352867
This is "TRAILER - The Seasons in Quincy: Four Portraits of John Berger" by Bartek Dziadosz on Vimeo,
Landscapes: John Berger on Art
By John Berger
Tom Overton and Verso, 2016
If art ... why does its power to move us endure long after the base has been transformed?
Why, asked Marx, do we still look towards Greek art as an ideal?
If art in the last analysis is a superstructure of an economic base,
Berger’s documentary, Ways of Seeing.
Walter Benjamin wrote the essay “Art in the Age of Mechanical Reproduction”
Max Raphael ( 1889 – 1952), German-American art historian. ..Fellowships awarded by the Bollingen Foundation
Zur Erkenntnistheorie der konkreten Dialektik, 1934, French translation
Prehistoric Cave Paintings, New York, Pantheon, 1945, Bollingen Series, no. 4.
Prehistoric Pottery and Civilization in Egypt, New York, Pantheon, 1947, Bollingen Series, no. 8.
The Demands of Art, Princeton University Press, 1968 (posthumous), Bollingen Series, no. 78.
“The function of the work of art is is to lead us from the work to the process of creation which it contains.”
he asks us to imagine the artist at work
the artist turns raw material into artistic material by shaping it to represent an idea or an object; the artist turns his perception into something external and objective, a representation
For Berger, art criticism is a revolutionary practice.
It prepares the ground for a new society.
How to begin? Berger answers: In art. There we find proof and prophecy of a different world.
by Berger and Anya Rostock of a poem by Bertolt Brecht. It includes this passage:
Yet how to begin? How to show
The living together of men
That it may be understood
And become a world that can be mastered?
How to reveal not only yourselves and others
Floundering in the net
But also make clear how the net of fate
Is knotted and cast,
Cast and knotted by men?
[…] only he who knows that the fate of man is man
Can see his fellow men keenly with accuracy.
art is valuable ...bodies forth the vision of an artist...vs. art is property
the art world has hosted a titanic battle
art is valuable because it bodies forth the vision of an artist; it is a good in itself just to the degree that it succeeds at this task
Painting is especially well suited to developing our historical and evolutionary self-consciousness.
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