8月28日(三 晚 1800~) 回請2月28日(三) 李弘祺教授，阿邦多次
聚會 回請2月28日(三) 李弘祺教授，阿邦多次 與家恆的互動 阿邦說人少才好談 Maurice Sendak (1928-2012) . Where the Wild Things Are ( 1963) new-graphic-novels-august. graphic novels, 八月選四本，主題都為家庭互動：可以一頁中三代實虛互通，熱鬧無比，可以嚴守四格，召喚古今人物……The struggle to transform history into art is a central part of the drama here.
https://www.facebook.com/hanching.chung/videos/990384616169133
醉紅小酌搬到羅斯福路三段286巷14號 (台大正門對面) 生意興隆，桌菜及四人等皆可。
家恆隨手寫出三 道名小菜
柯P辜負的是新竹中學辛志平校長的教誨
偷竊在竹中是天條，犯了只有離校一途，
我們班上一位成績前三名的同學，偷了同學的筆，學校讓他低調轉學，不會因為他成績好就輕輕放過
大谷家族的
是的，清水賣出了第八種外文語言（立陶宛）的版權，還有⋯⋯⋯動畫製作版權©️
#新版套書上市
⚡️《來自清水的孩子》套書新包裝上市⚡️
2021完成四冊出版的《來自清水的孩子》全套單本已 #四刷！除了一些小細節的內容修訂，今年我們也邀請原設計夏皮南，重新設計了新版的套書，並把套書售價微微調降。
除了大家都知道的豐功偉業們，這次還想同時宣佈「《來自清水的孩子》#動畫版權售出🎉🎉🎉🎉 謝謝 #光磊版權 」去年大獲好評的劇場版（#三缺一劇團）也即將在今年九月份加演三場！請持續追蹤慢工了解後續消息。
如果你還未收藏這套全台家家戶戶都該有一套的漫畫，請至你喜歡的通路購買，慢工的書全台除會員折扣外一律均一價。#2021那款附簽名海報的硬盒裝版套書已售鑿，買到它的朋友好好珍愛一生，做為傳家寶！
﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏
台灣版《茉莉人生》。最勇敢的小人物，最溫柔的台灣近代史。
法國吉美博物館亞洲文學獎得主，拍謝少年、鄭麗君、林榮基 誠摯推薦
﹋﹋﹋﹋﹋﹋﹋﹋﹋﹋﹋﹋﹋﹋﹋﹋﹋﹋﹋﹋﹋﹋﹋﹋
★全套售出劇場、動畫及海外八語版權
★內容編入台灣教課書、日本大學入學考試問題集
★知名國際媒體好評報導；總統賴清德2024推薦閱讀書單
★榮獲海內外多項大獎肯定！
・榮獲 2024法國 愛彌爾．吉美亞洲文學獎 圖像小說獎
・榮獲 2024美國 FREEMAN圖書獎 青少年圖像小說獎
・榮獲 2024美國 GLLI青少年翻譯圖書獎 榮譽獎
・榮獲 2024美國 CALA圖書獎 青少年非虛構圖書獎
・榮獲 2021德國 國際青少年圖書館 白烏鴉選書獎
・榮獲 2021台灣 金鼎獎 兒童及少年圖書獎
・榮獲 2021台灣 台北書展大獎 兒童及青少年獎
・榮獲 2021台灣 金漫獎 最佳新人獎
・入圍 2021台灣 金漫獎 最佳編輯獎
・入圍 2024德國 馬克斯與莫里茨獎 國際漫畫獎
━━━━━━━━━━━━━━━━━━
日治時代長大，一個從小熱愛讀書、歌唱的無憂孩子，因參加讀書會被懷疑涉及政治活動，經程序不義的軍法審判後，受囚於綠島十年，度過了漫長十年的青春期；出獄後，他在經濟起飛的時代，為理想創辦了五年級生家喻戶曉的《王子》兒童雜誌，更自幕後一手推動了紅葉少棒傳奇；晚年，在亞洲民主浪潮的湧動中，開始面對過去、找尋真相。
蔡焜霖，1930年生於台中清水，2023年逝於台北，享壽93歲，曾經真實存在，本套書跨及他5至90歲的人生。化做一道風之後的他，成了永恆的民主志工，卻也仍是那個愛讀書的清水孩子。
#周見信 #游珮芸 @蔡焜霖
感動 2月28日(三) 李弘祺(一點有關二二八的記憶.....)、廖志峰(2024書展；李遠哲；學生買書....)，陳隆昊(聯經新書、走讀溫羅汀)、梁國淦(高中生選新興科目)、陳建邦(日本對t的"love call"；刁錦寰Tiao, George C., vs Muhuan Xing (邢慕寰))、蔡安迪 (韓國朱熹研究)、鍾漢清；新舊朋友交流豐富；走讀溫羅汀﹔唐山老闆陳隆昊帶路 。西門町的紅磡港式飲茶 西門店 李弘祺《讀史的樂趣》第四部份夏瑪的《公民們--法國大革命邊年史》Citizens: A Chronicle of the French Revolution By Simon Schama〉的書評
我講那些話？主導話題是夢想九月廿八在聯經主辦出版與編輯會議，台灣諸大出版商的規模
允晨的廖總編承諾大力支援
英國的全球大學學術創新排行榜，中國的名校未入列
美國總統圖書館。李登輝紀念圖書館。感人的裸退，埋葬地點。
It may look like a comic book, but "Maus II" is serious, subtle and eloquent pictorial literature. In his first "Maus" (1986) Art Spiegelman created a character, Artie Spiegelman, who was struggling to understand his parents, Vladek and Anja, survivors of Au schwitz; but he never directly told the story of the Holocaust. Here, without sentimentality or melodrama, he confronts it in tales of incidents that may be incommunicable. One might expect a strip portraying Jews as mice, Germans as cats and other people as different kinds of animals to be distracting. But the animals allow one to follow the fable without drowning in horror. The struggle to transform history into art is a central part of the drama here.
Editors' Choice: 1981-1998
1981 | 1982 | 1983 | 1984 | 1985 | 1986 | 1987 | 1988 | 1989 | 1990 | 1991 | 1992 | 1993 | 1994 | 1995 | 1996 | 1997 | 1998 |
wo first novels and what appears at first glance to be a comic book are among the works of fiction in this year's list of best books, along with two volumes of stories.
On the nonfiction list are the first volume of a massive biography, a scientific and philosophical tour de force, a psychological meditation on the mutilation of memory by unspeakable experience, a lyrical and anguished record of a writer's life mined from his journals and a volume that began as a government report and turned into a passionate indictment of the incompetence that resulted in a nuclear disaster.
There is no thread running through all these books. But it might be noted that three of them, one of nonfiction and two of fiction, touch the Holocaust -- not the catastrophe itself, but survivors' memories of it.
These 10 were chosen by the editors of The Book Review from an initial list of 38 books reviewed since last year's Christmas Books issue and nominated by the editors themselves. Disagreement is a persistent pest: the selection was made in often combative weekly meetings that began the week after Labor Day and ended early in November only because there was a deadline.
The following summaries of the books are drawn from the reviews that appeared in The Book Review.
COMPLETE COLLECTED STORIES By V. S. Pritchett. Random House.
V. S. Pritchett at the age of 90 has gathered 82 stories, written over 65 years, that he wants to preserve. They differ vastly in length and style, but all illustrate the strangeness of the ordinary, reflecting a child's clarity of vision but with a slightly corrupt knowingness. In addition to their intrinsic beauty, these tales provide rich allusions to life in England through this century: changing cultural surfaces, alterations in manners, sinking values. But through the changes human passion obstinately prevails, and Pritchett celebrates it. His characters are mostly commonplace people who may seem comic or tedious until one realizes that great passions move them. His work is an exaltation of life.
CONSCIOUSNESS EXPLAINED By Daniel C. Dennett. Little, Brown & Company.
The audacious title of this book, which attempts a scientific explanation of the feeling we have of being aware and self-deliberating, is emblematic of the style of Daniel C. Dennett, a provocative philosopher who is fully conversant in psychology, neuroscience and computer science. His book can be tough reading, but his writing is incisive, bright and often humorous. He arrives at a theory of his own to explain how our neural machinery has evolved to give us an uncanny reflective capacity that has led people for millenniums to suppose the body is inhabited by a spirit. But even those who reject his theory will value his illuminating attacks on previous scientific explanations and his extraordinarily clear syntheses of other theories of mind, brain and consciousness. Mr. Dennett's book is the best example in many years of science aimed with wonderful accuracy both at scientists and at general readers.
HOLOCAUST TESTIMONIES The Ruins of Memory. By Lawrence L. Langer. Yale University Press.
Analyzing hundreds of taped interviews with Holocaust survivors kept in a video archive at Yale University, Lawrence L. Langer demonstrates that they often speak from "common memory," recalling events in an ordered and detached way. But often they speak from "deep memory," reliving chaotic, brutal and degraded reality with a sense of irrecoverable loss. He argues persuasively that habitual references to the survivors as embodiments of the "invincible" or even "noble" human spirit are wrong. During the Holocaust, he says, the self functioned on the edge of extinction, and the personal histories of its victims are utterly beyond our evaluation. Despite being frequently quite abstract and full of psychological theory, this book has great power, never more so than in the extensively quoted recollections of these fugitives from the worst of hells.
THE JOURNALS OF JOHN CHEEVER By John Cheever. Alfred A. Knopf.
This generous selection from a journal John Cheever kept for more than 35 years shares with his fiction four main subjects: nature, God, home and sex. It lets us see the beast crouching in the bushes of the well-kept houses that fill his stories. Loneliness, at the center of all his work, accounts for his obsessive idealization of home and hearth, and the journal reflects his anguish at the conflicts that idealization created. Wanting to be a good husband and father, he was an alcoholic and a bisexual who hated his double life. Some readers may wish less dirt were exposed, but all can luxuriate in this rich prose, especially when Cheever writes about writing. That he struggled against terrible odds is evident here; but he left behind work of great beauty in all his books, including this one.
A LIFE OF PICASSO Volume One, 1881-1906. By John Richardson, with the collaboration of Marilyn McCully. Random House.
This, the first of four long-awaited volumes of the biography of Pablo Picasso, has the steady, unhurrying pace of Victorian biographies. John Richardson was long a neighbor of Picasso's in the south of France and had the trust of the artist and his widow, as well as of countless friends of theirs. His affectionate tale, filled with a tumult of reminiscence, is also hardheaded, putting to an end many legends the painter himself helped create. Not only Picasso but hundreds of others spring to life, and Mr. Richardson makes vivid the intrigues, jealousies, enmities, passions and loves of the extraordinary people who became involved with Picasso. The volume ends, tantalizingly, with a thrilling description of Picasso's preparations in 1906 to begin "Les Demoiselles d'Avignon," a painting that would change the direction of all art.
MATING By Norman Rush. Alfred A. Knopf.
Norman Rush's first novel, about a woman anthropologist seeking perfect love and the perfect lover, another anthropologist who has created a utopia in Africa, is one of the wisest and wittiest fictional meditations ever written on the subject of mating. It illuminates the nature of true intimacy. At their happiest, the lovers arrive at a state that is exalting in its seeming inexhaustibility. All this is presented in an allusive, freewheeling first-person narrative of impressive intelligence. The reader's education is tested and expanded by the fast and self-conscious company of the narrator and her beloved, people whose mordant wordplay is sly and pleasantly unobtrusive. If such brilliant writing is not enough, this woman's quest is a grand adventure across a land that assaults and seduces all the senses.
MAUS A Survivor's Tale II. And Here My Troubles Began. By Art Spiegelman. Pantheon Books.
It may look like a comic book, but "Maus II" is serious, subtle and eloquent pictorial literature. In his first "Maus" (1986) Art Spiegelman created a character, Artie Spiegelman, who was struggling to understand his parents, Vladek and Anja, survivors of Au schwitz; but he never directly told the story of the Holocaust. Here, without sentimentality or melodrama, he confronts it in tales of incidents that may be incommunicable. One might expect a strip portraying Jews as mice, Germans as cats and other people as different kinds of animals to be distracting. But the animals allow one to follow the fable without drowning in horror. The struggle to transform history into art is a central part of the drama here. The reader, sucked into the heart of the maelstrom, develops insights that are beyond the capacity of the characters; that is a mark of Mr. Spiegelman's mastery of narrative.
THE TRUTH ABOUT CHERNOBYL By Grigory Medvedev. Translated by Evelyn Rossiter. Basic Books.
The revelations in this classic in the history of nuclear power are shocking, and its drama is gripping. Grigory Medvedev, chief engineer at Chernobyl when it was built in 1970 and a Soviet Government energy official at the time it exploded in 1986, investigated the explosion on site and interviewed many of its victims before they died of radiation burns. His book begins slowly and somewhat technically, but soon becomes a taut drama; it gives the locations of all the people in the reactor building, along with their fears and doubts second by second, as the monster they tried to control began to rock in a wild dance before it ripped apart, spewing more radiation than any explosion or bomb, ever. If this is a tale of official incompetence, it is also one of the heroism of many men and women who rushed into the facility to rescue the injured and contain damage at the cost of their lives. The implications of this book for the future of nuclear power are chilling.
TWO LIVES "Reading Turgenev" and "My House in Umbria." By William Trevor. Viking.
The beautifully composed surfaces of William Trevor's storytelling in these two novellas are nicely deceptive, for the reader is gently jolted into seeing beneath them the rippling complexities inherent in being human. In one tale a woman is confined to a mental institution after the failure of a doomed marriage from which she had taken refuge in a passionate attachment to her cousin, whose early death not only did not end her fervor but endowed her with a strange freedom. In the other a woman novelist injured in the bombing of a train takes other survivors into her home as she recovers; but as she heals she finds the great injury of her life is her past. In both novellas Mr. Trevor shuffles scenes from the past and the present -- some of them darkly comic -- subtly underlining ways in which these two different lives illuminate each other. In a wry but compassionate way he shows how fragments in the "peepshow of memory" can make up a life.
WARTIME LIES By Louis Begley. Alfred A. Knopf.
In this masterly first novel, Louis Begley, a Manhattan lawyer who as a boy managed to escape the Nazis in his native Poland, tells the tale of Maciek, a Jewish boy who also survives, but at enormous cost. The boy is too young to judge the cruelties he suffers, and his voice has a fine, unguarded authority, especially since the story is framed in the perspective of the cultivated and wary middle-aged man he later becomes. Maciek, whose mother died at his birth, spends the war years in the care of an aunt fiercely determined to survive. From her he learns the terrible discipline of deception at an age when deceit costs him his soul but failure to deceive would cost his life. At the end the man in midlife, faithful to the dark irony of little Maciek's fate, confines his childhood to the empty realm of lies and thus, without saying so, underlines the saving value of fiction, in which lies can be reconciled with truth.
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